My debut installation, "Limbo's Threshold," delved into the delicate transition from childhood to adulthood. TV screens, flickering like dying embers, portrayed a seemingly innocent scene: a child at play beside an open fire, cradling dolls. Yet, the digital ghosts distorted this innocence into unsettling ambiguity. Viewers, moving through the installation, grappled with the blurred line between memories and prophecy, questioning whether the child was trapped in limbo or inviting them to join. 'Limbo's Threshold' captured the chilling beauty of that in-between moment, where innocence faces fragility, and the boundary between play and peril fades.
